The Judgement Hall’s opening night focuses on voice, resonance, and spatial transformation. St Barnabas is reconfigured for two works treating sound as a physical, architectural force.
NYX perform material as a live, site-specific form: collective voice, electronics, and extended harmonies shaped by proximity, duration, and acoustics. Vocal layers swell within the church’s vertical volume; seating, lighting, and performer placement place the audience within the sound.
Thomas Stone’s The Shunned Path, developed through long engagement with resonant spaces, uses bass instruments, sustained tones, and rhythmic cycles. St Barnabas is tuned for low-frequency presence and temporal stretch, producing a shifting field of pressure and release where acoustic and electronic elements merge.
